family

Goodbye Dad

Bryan Ames Finlayson

4th March 1927 – 6th July 2021

Bryan Finlayson order of service photos

My dear Dad died last week.  This is the eulogy that I read at his funeral, along with the photos that were on the order of service.

*****

It’s a challenge to sum up a full 94 year old life.  Where do you start?  Fortunately for all of us, Bryan wrote his own life story for a Probus meeting back in 2004.  So this first part of his story is in his words.

Many Australian families originated in Europe.  Mine was no different.  In the mid 1800s my grandfather and several siblings travelled from England, coming out in that fast sailing clipper the Cutty Sark.

My grandfather and his brothers were all engineers and set up a foundry and machinery building works in Devonport, Tasmania.  This business lasted almost 100 years, building everything from bicycles, cars and buses to saw mills and stone crushers.  The business also required my grandfather to travel to Western Australia to help with the building of the water pipeline from Perth to Kalgoorlie, using specialised equipment made in the foundry.

He then left Tasmania with his wife and son and joined a quarrying company in Victoria.  His son – my father Rex – completed his pattern making training upon his return from WW1, married my mother Amy, and also started quarrying.  They moved around Victoria getting small contracts.  Three sons were born – I am the youngest.  I can well remember the family living in tents in several localities.

My father won a contract to supply stone from a quarry in Dookie to the shire crusher that was situated over the rail line.  My schooling started in Dookie then on to Shepparton when the family moved into town.

By now my father’s work was mostly in the Wimmera and our family shifted to Horsham, where I finished school and started work in the quarry.  My first job was to operate a winch pulling stone up to the crusher.  This time was during the war, where equipment was hard to obtain, forcing us to use our own resources to build much of it ourselves.  We bought Grant and Stewart tanks from the army at Bandiana and converted them into bulldozers.  Since they were too big to fit into the yard we worked on them out on the nature strip with the welding wires running across the footpath!  My eldest brother Doug had returned from World War 2 and after building these bulldozers spent some years on clearing and earthmoving.

After a short time in the quarry, I thought that I needed something different, so went to Melbourne, walked around the factories and got an apprenticeship fitting and turning.  However, after a couple of years my father asked if I would come back to help set up and look after a small quarry contract near Donald, which I did.  This was followed by a contract at Kaniva.  After this I began working with the CRB with my second brother Don using our truck and loader around Sea Lake, Hopetoun and further on up the Calder Highway.  I remember this period working in the Mallee during 1944 and 45 very well.  Dust storms, dry dams and cattle bones.  We were living in a home-made hut on wheels, with a 44 gallon drum of water to last a fortnight, a Coolgardie safe and water bags.

A trip to an army disposal sale in Darwin in 1948 resulted in us buying two small army trucks for use in the quarry and for clearing operations.  Don and I drove the trucks back to Horsham ourselves.  Roads weren’t what they are today, and this was quite an adventure for a 21 year old.

Then in the mid 1950s my father started a blue stone quarry at Cosgrove.  This eventually led to me returning to Shepparton to run this quarry.  I boarded in town in a house where the present Coles-Kmart car park is.

Sport – I was not much good at organised sport! I was away with the fairies too much; always going somewhere.  Reading books by and about explorers and collecting old maps – especially ones with vacant spaces with only dotted lines or no lines crossing large areas.

My parents had a small holiday place below Jamieson where I met the forestry ranger.  Then with forestry maps and others I bought, and using the house as a base, I spent a lot of time roaming the mountains.  Just using a ute was a bit restrictive so I built a specialised buggy that was able to cope with more difficult terrain and could carry a swag and a tucker box.

This led on to trips inland.  Birdsville in 1951, the top of Cape York by Falcon ute in 1961.  This desert travel has a few problems – punctures mostly, four in half an hour.   I once broke some front springs but was only carrying back ones which wouldn’t fit so had to light a fire and do some blacksmithing.

Then for 5 months I went a bit further – to North America, Mexico, Panama, Columbia, Bolivia, Peru, Brazil, Argentina then back to Utah, North America for a 5 day trip down the Colorado River.  This done I slipped home through Europe.

Then it happened – what a revelation!  I met this young nurse from Mansfield, courted around the hills, and married in ten months.  None of this 2 or 3 years business!  I think it was 1966.  We built our house on two blocks at Kialla where we are still living today.  Lara was born in 1968, followed by Ross in 1969.

Holiday trips have now run the usual cycle from tents to caravans to cabins.  You can buy vehicles today with an electronic navigating device, but they can’t compare to the one I married.  Alison is a marvellous navigator, none of this turning the map around, and if she’s been there 20 years before she will still be able to tell me where to go.  Especially the time we were stuck on the biggest sandhill in the Simpson Desert!

I continued working with my brothers until we all retired and sold the family business.  I felt a bit lost after early retirement, especially after having a hands-on occupation where I was used to working with mechanical equipment.  I thought about restoring vehicles but had had enough of greasy hands and leaking oxy cylinders, so in 1987 I decided to join the Wood Club which had just been formed.  I had some lessons at TAFE plus a few hours over at Frank’s, bought a lathe, bandsaw and some hand tools, and started making shavings.  I palmed a lot of the early stuff off to rellies but then spent considerable time with Lindsay making furniture.  This experience inspired me to get fair dinkum, but I needed more room!  So I pumped the water out, filled in and put a roof over the pool.  I built a band saw mill to cut up logs, bought some blackwood and made furniture for our house and both the kids.  Now, as many of you know, I fill in my time with woodwork and planning the next trip.

There is always a road somewhere!

In the seventeen years since Bryan wrote these words he and Mum travelled to Africa as well as taking regular trips to Cairns to visit Ross and Donna.  They visited many of the places commonly frequented by grey nomads.  Bryan actually drove until he was 90.  Many of his desert trips were shared with his brother Don, who was also a frequent visitor to our house.  The three Finlayson brothers – Doug, Don and Bryan – had some common characteristics.  They were tough and stoic men, and were always comfortable in one another’s company.  They could all turn a hand to anything requiring some engineering and ingenuity.  Bryan modified many things to better suit his intended purpose – with function sometimes coming before form!

Upon marrying Alison, Bryan was warmly welcomed into the extended Harper family.  There are many happy memories of time spent on John and Louise’s farms, helping out in the shearing shed, and enjoying regular Easter gatherings.

Bryan was interested in many things – the world around him, politics, the weather, and the early European exploration of Australia.  He read the newspaper from the front page to the back, and there was always a book or two beside his chair.  He liked geography, and made sure that his children then grandchildren knew the height of Mount Everest.  Bryan never liked to make a fuss, and small talk definitely wasn’t his thing.  He did however greatly enjoy conversations with people who enjoyed common interests.  Bryan was very trustworthy and someone that you could always rely on. If he said that he was going to do something, he did it.

Bryan’s passion in his post-retirement years – which were a lot of years! – was the Goulburn Valley Woodturners Club.  I suspect that many of you have at least one piece of Bryan’s work in your homes.  Being a Woodie was a full-time occupation for Bryan.  He was either out in one of his sheds working with wood, out collecting timber and milling it, or at the Woodturner’s Club enjoying the friendship of those who shared his interest.  Alison was often a little embarrassed when they were out and Bryan would look under furniture to check out how well it had been constructed. We would like to give a particular thankyou to Lindsay Whitfort who generously shared his knowledge with Bryan and developed an enduring friendship.

Alongside Alison, Bryan was one of the founding members of the South Shepparton Probus Club.  They shared in many trips and social outings and enjoyed new friendships.  Bryan always enjoyed the guest speakers, especially if it was someone who knew how to speak into a microphone properly!

My head and my heart are full of memories of my dad.  I remember him getting home after a day’s work at the quarry, bringing in the lunchbox that Mum had packed for him in the morning.  I remember hiding behind his chair when we watched Doctor Who on telly.  I remember him teaching us to swim, and I remember going on bike rides in daylight savings evenings.  I remember the many driving and camping holidays that we took around the country.  I remember him teaching me basic car mechanics so that I could change the tyres and replace the points and prime the engine.  I remember how he’d stop activities like clockwork to come in for meals and tea breaks.  I especially remember how our relationship matured into an adult one when I lived with Mum and Dad for a few years in my early 20s.  I remember the pride on Dad’s face when he walked me down the aisle, and his determination and courage to make a speech at the wedding.

I always felt that Dad supported me unconditionally.  Even when he didn’t really understand just what my work entailed, he was proud of it.  He was fascinated by the details of the family holidays that Dan and I took with the girls over recent years, despite his concerns about us taking them to such far-flung places!  I know that he always read my recaps of each day’s travel.  Dad wasn’t a demonstrative man, but he didn’t need to be.  His love and care for us was evident in his interest in us, his acts of service, and the smile on his face.

Bryan loved watching his granddaughters grow up.  He didn’t really ever expect to be a grandfather, let alone to be alive until Clare finished school and started university, and Stella reached 14.  He was always keen to hear what they were up to both at school and in extra-curricular activities.

Their memories of their Pa include being pushed around the house in a home-made buggy, and riding around and around the house on the pathway that Pa smoothed out for them while he counted the number of circuits.  They remember Pa snoozing in his armchair while watching TV with the teletext on, his insistence that they learn how to do side-stroke, and him telling them that drinking too much water is bad for them.  They remember Pa sitting on the back veranda watching the birds in the trees and the birdbath, and wandering around the garden sweeping up the bark, keeping the things around him tidy.  They will always remember Pa grabbing them for a hug and a soft smack on the bottom to send them off to bed.

(This paragraph ready by Dan) During the years I have known Bryan, he has provided me with support and love.  He has also provided me with a great example of how to live a fulfilling life.  I am grateful for the values he instilled in his daughter.  For Bryan, the journey was always more important than the destination, and he is now on his last great adventure.  No vehicles, maps, GPS or petrol dumps required for this one.  He will be guided by his spirit, as he has been in life.

Bryan was very ready to say goodbye to us once his hearing loss and failing eyesight meant that he could no longer do the things that he wanted to do, or participate in life in the way that he wished. He had a long and mostly healthy life, and was fortunate to remain at home and be relatively independent right up until this final illness, which he faced with his usual pragmatism.  We are very appreciative of all the care and love that Alison has given Bryan, especially in the last couple of years.  As he said only nine days ago, ‘she’s bloody marvellous’!  Bryan will always be remembered with great love.

Bryan Finlayson order of service photos

adult's clothing, sewing

Style Arc Darby and Joan

You’ve already seen the first Style Arc Joan top that I sewed last year.  It actually didn’t take me all that long to sew up the pattern again. And this time I also sewed the coordinating Darby pants.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

I’ll start with the top. Because I’d already sewn a wearable muslin I knew to retain the slightly shortened body length and to do a forward shoulder alteration. Check my previous blog post for more detailed information on the top.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

Isn’t that fabric divine! It’s printed linen from The Cloth Shop. Linen really is a great fabric to work with and wear, once you get over the fact that no matter what you do, it will wrinkle. I always iron it after washing (and often before wearing as well) but know that it will relax into wearing folds. That’s just the nature of the fibre.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

Fit wise I’m happy with this size 12 with my alterations. It still has plenty of ease, and the wide facings keep everything sitting beautifully. Remember that Style Arc do have a tutorial on their website to help with getting the front neckline V nice and sharp. So, to the pants.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

Style Arc’s pattern page describes the Darby pants as follows:
PRODUCT DESCRIPTION:
7/8th length leg
Wide leg
Elastic waist
Patch pocket with side opening
Deep hem facing.
Semi fitted hip
FABRIC SUGGESTION
Washed linen, tencel, crepe, rayon

Mine are in linen, also from The Cloth Shop. I shortened the leg length an inch or so and the 7/8 length is still full length on my 158cm height.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

Well, those are hoiked up on one side of my waist, but that’s the photo that I have! When the waistband is level that big fold at the back of the right leg vanishes. I actually think that these fit quite well over my relatively flat bum. And of course, an elastic waist is my friend.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

The pockets are interesting – they’re a patch pocket, but they open at the side seam. Just follow those instructions VERY carefully! My verdict on the pants is that although they are nice enough, the vintage McCalls 2699 wide leg pants are a more comfortable fit for me. They have a higher rise, which really encompasses my tummy and seems to require less adjustment during wear.

Style Arc Darby pants and Joan top in linen from The Cloth Shop Ivanhoe

My overall verdict is a very positive one – how can you go wrong with linen in loose simple shapes in the hot Australian summer!

adult's clothing, sewing, teen

Pattern Emporium Follow Me skirt

Woohoo, more of the 2020 unblogged projects backlog! This skirt was the last garment that I sewed in 2020.

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

It’s the Pattern Emporium Follow Me Wrap Dress and Skirt pattern – obviously this is the skirt!

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

As with all Pattern Emporium patterns, there are quite a few variations included. From their website: Allow the Follow Me Knit Dress & Skirt to take you on a journey of style, discovery & self expression.
By combining different style options, lengths, hemlines & details with a variety of knit fabrics from drapey to full bodied, you can fill your wardobe with a whole range of unique skirts and dresses from just the one pattern. Enjoy the playfulness of a wrap with the peace of mind of a fixed waistline & plentiful coverage so you never have to worry about flashing your bra or knickers! All in the comfort of your fave stretch knit fabrics.

SKIRT OPTION:
Wrap front with subtle hilo hemline.
Plain or flounce detail.
Stretch knit waistband.
4 lengths : mini, mid, knee & below knee lengths.

The dress has a fitted bodice with five sleeve options and three necklines – you can see the dress version I sewed for Clare here.  But obviously, this is the skirt! I sewed the mini length with the flounce.

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

Although this is described as a wrap skirt, it isn’t a ‘true’ wrap. The two front pieces wrap over one another but are attached to the elasticised waistband together, so it’s actually a pull-on skirt.

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

I used my overlocker to finish the flounce with an overlocked roll hem rather than trying to do a narrow hem on this soft rayon/lycra knit. The fabric is from Spotlight. Love the colours in the print, and it’s very soft against the skin to wear.

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

Actually, I think that all the construction was on the overlocker. As you would imagine this is a very easy skirt to sew. I did do a fair bit of pinning on a flat surface to ensure that the flounce piece was attached evenly – it’s easy to stretch flounces out of shape. There is elastic inside the waistband, but it still stays flat without any gathers when worn.

Pattern Emporium Follow Me wrap skirt in rayon knit from Spotlight

Cardigan is from Princess Highway, and grey top from Cotton On.

adult's clothing, sewing, zero waste patterns

Cris Wood Sews Envelope dress

I have been aware of zero waste patterns for a little while, but it’s been a vague on the edge of my consciousness type of awareness.  I was aware of Holly McQuillan‘s work. Then I came across Liz Hayward‘s zero waste patterns and book.  I had bought the Elbe Textiles Maynard Dress pattern (it’s still on my to-sew list).  Not long after that, Instagram seemed to be full of Cris Wood‘s zero waste patterns.  Then I listened to a podcast focused on zero waste patterns.  Zero and low waste sewing isn’t a new thing – it’s been around for as long as people have made garments from limited quantities of precious fabrics. The Japanese Kimono pops straight into my head as an example, and you can probably think of many more. Do a quick google and you’ll be guided down a fascinating path of the history of zero waste and how the approach is used for modern garments.

Cris Wood Sews Envelope Dress in rayon from Borneo

Zero waste patterns obviously appeal when you’ve got a precious fabric that you really don’t want to muck up! This printed rayon was bought in Kuching, Borneo. I used the Cris Wood Envelope Dress instructions with the gathered sleeve from the Hack Pack.

Cris Wood Sews Envelope Dress in rayon from Borneo

These patterns are customised to your own measurements. They’re a set of instructions rather than providing pattern pieces – this dress is entirely made from rectangles. How much fabric you need depends on your measurements and the style that you choose to make. I had enough fabric to make the gathered sleeve version, so that’s what I did!

These clothesline photos really show you how simple the overall shapes are. Front:

Cris Wood Sews Envelope Dress in rayon from Borneo

And back:

Cris Wood Sews Envelope Dress in rayon from Borneo

It’s easy to think ‘oh that’s just rectangles, why do I need to buy a pattern’? Well, I figure that it’s worth buying a pattern because the designer has done all the maths to get the size and proportions of each rectangle correct. In my experience, simple shapes actually require quite a bit of work to get right!

Cris Wood Sews Envelope Dress in rayon from Borneo

It’s the way that the flat rectangles drape over the three-dimensional human shape that make the dress interesting. It’s not hard to vary the neckline depth to suit your preferences. The positioning of the shoulder seams and neckline opening mean that the dress raises up at the centre front hemline, and sits back a bit at the shoulders.

Cris Wood Sews Envelope Dress in rayon from Borneo

I’ve seen lots of versions of this pattern on Instagram in particular. Length variations, belted, different sleeves; and on a variety of shapes and sizes. If you like ‘sack’ style garments (which I clearly do; fitted is not my scene) this pattern is worth checking out.

Cris Wood Sews Envelope Dress in rayon from Borneo

Since I sewed this back in January I’ve used another Cris Wood pattern, the Parasol dress, and I have some other zero waste garments planned from Liz Hayward’s book.

adult's clothing, sewing

Style Arc Hope and Nova mashup dress

This dress that I made back in January has turned out to be one of my favourites for 2021 – although we are only half way through the year!  It’s a pattern mashup between the Style Arc Hope and Nova dresses.

Style Arc Hope Nova mashup

I sewed both the Hope and Nova dresses last year, and really liked both of them. As most of you know, there is a multitude of loose waisted, tiered skirted, puffed sleeved dress patterns around at the moment (and the shops are full of them too). Rather than buy yet another pattern, I figured that I should just use the bodice of the Hope dress with the skirt tiers of the Nova.

Style Arc Hope Nova mashup

My patterns were both size 12. This time around I cut the back bodice of the Hope dress on the fold, as I knew that I would be able to just pull it on over my small head. I incorporated a high rounded upper back alteration, lowered the front neckline 5/8″, and finished it with bias binding rather than using the supplied facing pattern pieces.

Style Arc Hope Nova mashup

From memory I used a slightly wider elastic in the sleeve hem casings than suggested. I prefer the look of wider elastic at the moment, but there’s a fair chance that I selected width based on what was available in my stash.

Style Arc Hope Nova mashup

I used the Nova skirt pattern pieces, each of them shortened an inch (maybe it was two). I already knew that I liked the gathering ratios in the Style Arc pattern. Unfortunately I forgot that this was a directional print until too late when constructing the dress and managed to have the back panel of the lower tier upside down. I didn’t realise until the entire skirt was constructed, and decided to just leave it as it was. The amount of deconstruction that would have been required to fix it didn’t pass my cost-benefit analysis!

Style Arc Hope Nova mashup

Speaking of fabric, this is a light cotton sateen from the Holli Zollinger for Nerida Hansen range, bought at The House of Cloth in Bendigo when we visited late last year. It’s soft and as lovely to wear as it was to sew with, and has held up well to washing.

Style Arc Hope Nova mashup

Every time I wear this it gets loads of compliments. It’s one of those times where the fabric and the pattern just work together perfectly! It’s superbly swishy around my legs as I move, and can be worn comfortably through a range of temperatures.

Style Arc Hope Nova mashup

adult's clothing, sewing

Flynn sleeveless jacket

Back in late 2019 I sewed the Flynn Jacket by In The Folds.  I have worn this jacket regularly, so when I needed a pattern to use with a piece of hand-dyed, hand-woven fabric I’d bought in Laos a couple of years ago, the Flynn popped back into my mind.

In The Folds Flynn vest in hand-woven fabric from Laos

The pattern has a sleeveless option, and the option of using a contrast fabric for the lower jacket and bands. I had just enough of the Laos fabric for the front and back, and found some denim in stash that blended nicely for the rest.

In The Folds Flynn vest in hand-woven fabric from Laos

I shortened the jacket this time around, taking a fold out of all pieces at around waist height. This meant that I also had to smooth out the curves of the front pieces. It seemed to work quite well. I didn’t bind the seam allowances with bias this time around, instead using the overlocker to finish them and prevent ravelling. One of the great things about this jacket pattern is the deep pockets that are built into the front curves. Clever drafting!

In The Folds Flynn vest in hand-woven fabric from Laos

I did iron this before I headed out for the day, but these photos were taken after a day of shopping and a movie! The white top that I am wearing underneath is a Sewaholic Renfrew tee.

Sewaholic Patterns Renfrew Tee

I find it challenging to get white tees that I really like. It’s hard to get nice drape and fit in a fabric that is also fairly opaque. This one works pretty well for layering. I was hoping for a long sleeved tee, but just didn’t have enough fabric so had to do the 3/4 length sleeve instead. I think that the waistband was also pieced.

Sewaholic Patterns Renfrew Tee

I tossed up whether this is a vest or a sleeveless jacket, but decided it wasn’t a vest because they are normally quite close fitted. Semantics! Either way, I’m pleased that I finally turned this souvenir into a wearable garment.  I actually sewed this in December 2020 and the photos are from January.  The jeans I’m wearing in these photos are Style Arc Blakley stretch jeans, sewn in 2018 and worn regularly.

In The Folds Flynn vest in hand-woven fabric from Laos

adult's clothing, sewing

McCalls 7325

I’d been trying to lay my hands on a copy of McCalls 7325 for a while.  Like McCalls 7969, it’s a popular pattern that is often out of stock.  I now know why; both designs are so wearable that I’m not surprised that they’re so popular!

McCalls 7325 in block printed Indian cotton

As is usually the case, it’s about matching the fabric that you use to the pattern so that both bring out the best in one another. In this case I used a block printed lightweight Indian cotton that I’d bought in Kuching.

McCalls 7325 in block printed Indian cotton

This is a directional print, so once I figured out which way was ‘up’ I was careful during cutting that everything ran the same way. Once it was all sewn up I thought that it needed some trim – then remembered the crocheted bobble trim that was in my stash (bought from Tessuti some years ago). It was just perfect!

McCalls 7325 in block printed Indian cotton

From the pattern website: Pullover tops and tunic (fitted through bust) have self-lined upper front and back, gathered front, back and sleeve cap, and sleeve variations. Narrow hem. A, B: Sleeve slits. B: Ruffles. Purchased trim A and cording B. C: Lower sleeves. C, D: Elasticized lower edge of sleeves.

My top is essentially view A, but with the necktie from view B. Construction wasn’t difficult; the instructions are pretty clear. You do need to pay attention to the markings. And although this looks like a loose top, it’s still fairly fitted around the back and bust. Be careful not to downsize or it could be too tight under the arms! I possibly sewed size 14 (maybe it was 12).

McCalls 7325 in block printed Indian cotton

I will possibly sew this pattern again at some stage. There are lots of opportunities to mix fabrics or play with texture or direction, with the yokes, and the sleeve piecing of view C or D.

McCalls 7325 in block printed Indian cotton

I definitely recommend this pattern, especially if you like a relaxed or more ‘boho’ look. Your fabric selection will definitely affect the overall vibe. I’m very pleased with mine exactly as it is!

McCalls 7325 in block printed Indian cotton

Around the block, patchwork, quilting

Turning blocks into tops

During the big patchwork shelves tidy during second lockdown last year I lamented that I had ‘lost’ my practice blocks from the Around The Block quilting bee I took part in during 2009/2010 (yes, that long ago and my quilt top still isn’t a finished quilt).  I really was a novice patchworker/quilter when I took part in the quilting bee, and many of the participants were super experienced. Because of this, I sewed practice blocks before I cut into anyone’s good fabric. I would do a block in scraps, then I’d do a couple more in Kaffe Fassett fabrics that I would keep to eventually make my own quilt. In January I found them all my practice blocks!

Using old practice blocks

They were stored in a pizza box safely tucked away pretty much where they were expected to be. I have no idea how I overlooked them so many times! I quickly joined nine blocks that had been made from scraps into a rather eclectic little quilt top.

Using old practice blocks

Two larger practice blocks, both from Kaffe Fassett fabric, were the perfect size to become cushions.

Using old practice blocks

I quilted them on to some scrap batting that was in stash, then turned them into cushion covers with a lapped back zip opening. I used Kaffe fabric for the back as well. The quilting has given them plenty of dimension!

Using old practice blocks

Then it was time to join the Kaffe blocks. My theory by now was ‘better done than perfect’, so I didn’t agonise much about how I would join them or in what colour. I just sashed them together, in a fairly neutral colour that I had in my stash. I have been trying to use more of what I have.

Kaffe practice blocks become a quilt top

There were also four Dresden Plates in the pizza box, along with some yo-yos. They needed to turn into something too!

Using old practice blocks

I figured that if I appliqued the Dresden Plates to a plain background, and sewed up another five patchwork blocks, I’d have nine blocks which should be enough for another small quilt top. I raided my stash, bought a couple more fat quarters that coordinated, then got as far as sewing up the extra blocks. However I still need to do the applique and join these blocks together. I’ll probably sash them in a colour similar to the carpet!

Using old practice blocks

Then in February Emma Jansen started another sewalong, this time for her Bronte’s Stars pattern. Once again I raided my fat quarters stash!

Brontes Stars quiltalong planning underway

I really enjoy playing with colour and pattern, and thinking about what will actually work best in a quilt where scale and value and contrast really come into play. I’m still more used to looking at fabrics from a garment perspective, which doesn’t always work for patchwork and quilting where fabrics are cut up into much smaller pieces! I have bought a blue/grey solid to use as the plain contrast for this quilt, and have got as far as washing and ironing all the fabrics. But that’s as much progress as I’ve made thus far! There is still a lot of pairing of fabrics to do, and there is also a fair bit of precision required to piece this quilt top accurately. I will need to be in the right headspace before I actually start on the blocks.

Brontes Stars quiltalong planning underway

adult's clothing, sewing, teen

bits and pieces

I’m still catching up with blogging things I sewed at the beginning of this year and in the last few months of last!  I’d like to get myself back to my old habits where I’d blog an item pretty much straight after making it – but there’s a lot to get up here before that becomes possible.  The backlog is significant!

Style Arc Daphne Duo pants in teal linen

I don’t seem to have any modelled photos of this pair of Style Arc Daphne pants. I’ve sewn them twice before and find them very easy to wear. The waist comes up nice and high, and the back and side panels are in bengaline so have plenty of stretch. I also like the detail of the tucks on the legs. I used linen for this pair.

Style Arc Daphne Duo pants in teal linen

I sewed Clare a little skirt in summer from Lekala 5347.

Lekala 5347 skirt

The finished skirt was not right. It wasn’t what Clare had envisaged in her head; it didn’t look quite like the pattern illustration; it went straight to the op shop.

Friday Pattern Company Vernazza two-piece bottoms

What was more successful was a pair of bathers bottoms to go with a purchased (K-mart) bikini. Clare really liked the bikini top, but found the bottoms had too little coverage for her liking. I’d had success with the Friday Pattern Company Vernazza Two Piece bottoms, so used that pattern again. Fabric came from Rathdowne Fabrics. I used a lighter weight for the lining than the outer. These are actually very straightforward to sew, and Clare was very happy with them! Much more the type of bathers coverage that she prefers, both for actually swimming in and for general comfort.

Friday Pattern Company Vernazza two-piece bottoms

In summer I took a few photos of dresses that were sewn years prior but still enjoy regular wear. I thought that some of you might like to see them when first sewn/worn and now! The Tessuti Pia dress, sewn/worn in 2014.

then and now

The Pia dress that I sewed in late 2015 is also still in my wardrobe enjoying summer wear. Both dresses still work with my style, and the dress shape seems to handle most of my size fluctuations.

This Named Clothing Inari dress, was first sewn/worn in 2016.

then and now

Like the Pia, it’s linen, and non-constricting.  There are quite a few garments in my wardrobe that are definite favourites and will probably remain in rotation for quite a few years to come!

adult's clothing, Helen's Closet Patterns, sewing

Helen’s Closet Pona jacket #2

My first Helen’s Closet Pona jacket has been a welcome addition to my wardrobe.  So much so that I have used the pattern a second time!

Helens Closet Pona jacket in Thai cotton

This time around I sewed it in a textured thai cotton, a fairly mid-weight stable fabric.

Helens Closet Pona jacket in Thai cotton

The most difficult thing about sewing this jacket was deciding which side of the fabric to use! It’s woven in navy and white, and the floating white threads make a different pattern on either side. As you can see, I eventually went with the more ‘hashtag’ effect.

Helens Closet Pona jacket in Thai cotton

From the pattern website: The Pona Jacket is a modern outer layer that is easy to make and style. An extra-wide facing allows this unlined jacket to drape open in the front, no closures necessary! Pona has an oversized blazer feel, complete with pockets and a statement lapel. Make a modern, cropped Pona in linen for warmer weather or a longer jacket in wool for fall and winter. Pona is a perfect beginner jacket pattern! Recommended Fabrics: Light to medium weight fabrics with no stretch, such as mid-weight linen or cotton, corduroy, and wool. Pona can be made in a lighter-weight, drapey fabric such as Tencel twill for a more fluid look.

As you can also see, this time around I sewed the longer version. Those deep pockets are highly practical! As I mentioned the last time I sewed this jacket, the large lapels have really grown on me since this pattern was first released. They somehow give it a little drama while simultaneously adding to the casual feel of the jacket. Sounds contradictory, but I think that it works. The collar rolls so nicely too.

Helens Closet Pona jacket in Thai cotton

This is a terrific relaxed, unstructured light layer for in between weather. The instructions were excellent – Helen’s Closet is outstanding in that regard. Helpful, clear diagrams, good layout, and words carefully chosen so that the finished product is just as it should be.

Helens Closet Pona jacket in Thai cotton

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