patchwork

Around the block, patchwork, quilting

Turning blocks into tops

During the big patchwork shelves tidy during second lockdown last year I lamented that I had ‘lost’ my practice blocks from the Around The Block quilting bee I took part in during 2009/2010 (yes, that long ago and my quilt top still isn’t a finished quilt).  I really was a novice patchworker/quilter when I took part in the quilting bee, and many of the participants were super experienced. Because of this, I sewed practice blocks before I cut into anyone’s good fabric. I would do a block in scraps, then I’d do a couple more in Kaffe Fassett fabrics that I would keep to eventually make my own quilt. In January I found them all my practice blocks!

Using old practice blocks

They were stored in a pizza box safely tucked away pretty much where they were expected to be. I have no idea how I overlooked them so many times! I quickly joined nine blocks that had been made from scraps into a rather eclectic little quilt top.

Using old practice blocks

Two larger practice blocks, both from Kaffe Fassett fabric, were the perfect size to become cushions.

Using old practice blocks

I quilted them on to some scrap batting that was in stash, then turned them into cushion covers with a lapped back zip opening. I used Kaffe fabric for the back as well. The quilting has given them plenty of dimension!

Using old practice blocks

Then it was time to join the Kaffe blocks. My theory by now was ‘better done than perfect’, so I didn’t agonise much about how I would join them or in what colour. I just sashed them together, in a fairly neutral colour that I had in my stash. I have been trying to use more of what I have.

Kaffe practice blocks become a quilt top

There were also four Dresden Plates in the pizza box, along with some yo-yos. They needed to turn into something too!

Using old practice blocks

I figured that if I appliqued the Dresden Plates to a plain background, and sewed up another five patchwork blocks, I’d have nine blocks which should be enough for another small quilt top. I raided my stash, bought a couple more fat quarters that coordinated, then got as far as sewing up the extra blocks. However I still need to do the applique and join these blocks together. I’ll probably sash them in a colour similar to the carpet!

Using old practice blocks

Then in February Emma Jansen started another sewalong, this time for her Bronte’s Stars pattern. Once again I raided my fat quarters stash!

Brontes Stars quiltalong planning underway

I really enjoy playing with colour and pattern, and thinking about what will actually work best in a quilt where scale and value and contrast really come into play. I’m still more used to looking at fabrics from a garment perspective, which doesn’t always work for patchwork and quilting where fabrics are cut up into much smaller pieces! I have bought a blue/grey solid to use as the plain contrast for this quilt, and have got as far as washing and ironing all the fabrics. But that’s as much progress as I’ve made thus far! There is still a lot of pairing of fabrics to do, and there is also a fair bit of precision required to piece this quilt top accurately. I will need to be in the right headspace before I actually start on the blocks.

Brontes Stars quiltalong planning underway

patchwork, quilting

Quilt top explosion – Value quilt and Scrap quilt

I think that I mentioned a couple of blog posts ago that I’ve been spending time in the sewing room organising and tidying.  The entire process was kicked off when I decided that I really needed to progress my many quilt tops and tidy up the quilting section of my sewing room cupboard. One of the first boxes that I pulled out was full of Japanese fabric squares that I had collected from Kimono House some years ago. My original plan for these squares was to turn them into a Japanese Kaleidoscope quilt, which is entirely hand-stitched. I looked at them, acknowledged that the hand-stitched quilt was never likely to eventuate, and began to turn them into a Value quilt.

Value quilt progress

There are some wonderful examples of Value quilts on the internet and Instagram. They all follow the same principle of using the value – how light or dark a colour/print is – to form the overall design, rather than the actual colour. Looking at the fabrics in greyscale really highlights it.

Value quilt progress

I sorted the squares into three piles of light, medium and dark fabrics. Then sewed them into half-square triangle blocks. After that they were trimmed to be exactly the same size.

Value quilt progress photos

Then I started playing with layouts. Here are some of the ones that I experimented with.

Value quilt progress photos

Value quilt progress photos

Value quilt progress photos

I really wanted to use all of my blocks, so in the end I went with the last one of the three layouts above which utilised every single one of them. I didn’t agonise too much over this project; it was all experimentation and play. I was aiming for done, rather than perfect! Time to sew them all together and see how the final product looked.

patchwork quilts in progress

Ta-da! Done. Let’s take a look in greyscale.

Values quilt in Japanese prints - black and white

This quilt top is pretty small. I’ve since added a border to it, which you can glimpse in the next photo.

Quilt top explosion

After sewing the Value quilt I pulled out every single quilt top that I have, along with whatever batting that I could find, and started piecing together backs for each quilt. I wanted to use stash fabrics only for this, and was able to put together a back for each one from both the scraps left over from sewing up the front, plus coordinating fabrics that were already in the cupboard. Some of the quilt backs took many hours to piece together, and I think that they look like modern improvised quilts in their own right! I also cut binding for each quilt. Now I have two quilts all basted ready to quilt, and more with the quilt top/back/binding all ready to go once I have more batting. There are two quilt tops that need my Mum’s sewing machine and it’s lovely little embroidery stitches to finish off. I feel that I’ve made loads of progress toward turning all these quilt tops into quilts.

patchwork quilts in progress

The next thing that I did was ferret through my scrap bin and cut all the scraps into squares – either 2.5″, 3.5″ or 6.5″. These are now pre-cuts, just waiting to become quilts once there are enough. I still have another shelf to sort through and cut up in a similar fashion (maybe I need some strips as well as squares). I feel that this will be really effective quilting stash management for me – thanks to Kellie from Cutting Cloth for sharing how she’s managing her leftovers. Basically, after you’ve cut out a project, turn the scraps into useable pieces such as pre-cuts.

patchwork quilts in progress

Of course, I couldn’t just leave these squares in nice piles, and decided to turn some of the 2.5″ squares into a scrap quilt top, by mixing them with a small amount of quilting cotton solid that was also in my stash.

patchwork quilts in progress

I had cut out enough 2.5″ squares from the solid to make thirty blocks. So more decisions! How should I arrange them? I wanted to sash them, but the amount of solid was quite limited. I popped a photo up on Instagram, and Stacy suggested that I add cornerstones. Excellent idea! So this is what I ended up with.

scrap quilt top

There wasn’t enough of the solid for another row of sashing (and cornerstones) around the outside, which would have been my preference. But this is still pretty sweet! I have enough fabric in stash to back it, and have cut a striped fabric for binding. It will be a cute knee rug, all from scraps/stash.

Now the quilt tops/backs/binding are all folded ready for quilting. I also did a huge tidy of my sewing room, finally clearing out the ‘kids craft cupboard’ and rearranging many of my supplies in more useful, easy to access ways. I think it’s time to sew a couple more garments, then pull the sewing table/cabinet out, put it in to quilting mode and get cracking. I’d like to finish off this blog post by sharing this amazing quilt that my sister-in-law recently completed. Jeanette has only started to sew garments and quilts in the past couple of years, and she’s absolutely fearless! She imagines something that she’d like to make, and just goes for it. It’s awesome.  That’s her mum (my mother-in-law) Adri you can see holding it in the photo below; she’s really enjoying doing craft with her daughter since recently moving to Melbourne.

Jeanette's landscape quilt

patchwork, quilting

Whirligig Quilt Top

You might remember the Wake Me Up quiltalong that Emma Jansen ran during Melbourne’s first lockdown.  She ran another for her Whirligig quilt pattern during Melbourne’s second lockdown.  I chose to make the largest size, working with fabrics that were already in my quilting stash. Most of my quilting fabrics were bought when I first discovered sewing and quilting blogs. They date between 2007 to around 2012. Many of these fabrics were bought with the eye of a garment sewer more than the eye of a quilter, and that creates it’s own challenges when trying to make effective quilt tops. This pattern uses a decent amount of solid as a background, so I figured that I could make it work without having the issue of not enough value and contrast difference that I had with the quilt top I made in the first quiltalong.

Whirligig SAL progress photos

Whirligig SAL progress photos

Whirligig SAL progress photos

Whirligig SAL progress photos

Whirligig SAL progress photos

I ran into a problem when making this quilt top – because I ran out of the white solid fabric that I was using for the background. I had a couple of other white fabrics in stash, but they weren’t the same white. There are so many variations in shade! Luckily, Cutting Cloth is in my 5km lockdown travel radius, so I was able to do a contactless drop off of the leftover solid fabric for them to match. Another metre was all that I needed to be able to complete the quilt top. While I was waiting for the additional solid, Emma had fun playing with the photos of the blocks that I’d shared on social media to see how they might look in a finished quilt.

Whirligig SAL progress photos

This photoshopped quilt really inspired me to keep going and get this quilt top finished – I knew that it would be so pretty! And here is the actual finished result.

Whirligig quilt top done

Each block is slightly different, and I have oriented each one to keep the windmills turning. As you can tell, it’s a decent size! I have now pieced together backing, using as much of the leftover fabric from the quilt front as possible plus some of the non-matching white solid that was in my stash and some more fabrics that coordinated. I’ve also cut the binding. It’s getting closer to it being a finished quilt!  I plan to quilt this myself on my domestic machine, and have been watching some Craftsy classes to refresh my memory on how to quilt.  I’ve took a couple of classes on it years ago, but I am definitely in need of practice.

patchwork quilts in progress

patchwork, quilting

Wake me up quilt top

Finishing off some quilt tops a couple of months ago reignited my interest in patchwork and quilting.  When Emma Jansen started a sewalong I was powerless to resist!  I really like simple quilts where the arrangement of print and colour creates secondary patterns.  Her Wake Me Up quilt is a perfect example.

Wake Me Up quilt progress photos

The first step – and in many ways, the most important – is to choose your fabrics. I had plenty of fabrics in stash, but discovered that although they were in a variety of colours, they were pretty much all medium tones. There wasn’t much at all that was dark in colour, and even less that was light. I eventually decided that I would have to focus on different colours in my quilt top, and narrowed my options down to these ones.

Wake Me Up quilt progress photos

I decided to do the smaller throw sized quilt top. The next step was cutting out all the squares. Thank goodness for a quilting mat, quilting rules and a fresh new blade in the rotary cutter!

Wake Me Up quilt progress photos

Then over to the machine to chain piece half square triangles. I have to admit that I am not very competent with using patchwork tricks and techniques that can considerably speed up the whole process, but am starting to give it a go.

Wake Me Up quilt progress photos

Wake Me Up quilt progress photos

So now I had all the basic elements to put the quilt blocks together! There are two basic block shapes in this quilt top – a cross block:

Wake Me Up quilt progress photos

And a ‘circle’ block.

Wake Me Up quilt progress photos

There are also ‘part’ blocks that go along the edges of the quilt top. Emma does give another construction method for this quilt for those that prefer to work across rows with the same type of block, which I suspect is possibly a faster construction method. I did these blocks slowly, with bits of chain piecing but most just constructing one row of each block at a time. Then I laid all the blocks out on the spare bed, trying to vary the placement of the different fabrics as much as possible between block, but not always succeeding. Then I sewed them all together! Ta-da!

Wake Me Up quilt progress photos

The finished quilt top is pretty, but really suffers from having too many fabrics in the same depth of colour.  You can see how well those darker ‘circle’ block centres pop.  If the grey fabrics had been much lighter you’d have a much better sense of the other interlocking shapes and secondary patterns that make up this quilt top.  Do take a look at the many marvellous and varied creations on Instagram to see just how terrific it can look.  This quilt top is now with the rest of the pile of quilt tops waiting to become quilts.  I’ve located backing fabric in my stash (it might require a little pieceing) and that’s now on my to-do list.  Time to get back to garment sewing for a while!

chenille, patchwork, sewing

Lap blankets

It really does feel like a lifetime ago that I cut out a whole lot of chenille and fabric five inch square to sew lap blankets with.  I have had two sets cut out ready to sew for about ten years.  It was time to get that project done!

Chenille and fabric knee rugs finally done

Clare gave me a hand figuring out the placement of the squares. There were more chenille squares than fabric ones for this lap rug. Mixing fabric of such different thicknesses and textures meant that it was very unlikely that I could do perfect matching where seams met, but I gave it a red hot go. I chose to sew the squares together on the overlocker – gasp! – because those chenille squares drop fluff all over the place and the edges really did need to be finished.

Chenille and fabric knee rugs finally done

It was surprisingly fast to sew the squares together, and before I knew it I had two finished tops. The chenille is vintage, repurposed fabric that I believe came from bedspreads. The fabric squares are often from scraps left over from clothes that I sewed for the girls when they were little, so they contain quite a few memories.

Chenille and fabric knee rugs finally done

These colourways and fabrics really do reflect where things were in the world of craft blogs 10+ years ago! Fortunately, they still really appeal to me, and to the girls. The next thing that I needed to do was back them. I wasn’t planning on them become proper quilts with batting in the centre and stitching; just simple lap blankets. Because of the stay-at-home rules I jumped online and found some plush velour/microfleecwe backing at Spotlight. It was delivered suprisingly quickly! I then just laid the rug on top of the batting, right sides together, sewed around them leave a small opening to turn the blanket to the right side, and then topstitched around the edge.

Chenille and fabric knee rugs finally done

Chenille and fabric knee rugs finally done

They’re just the right size for draping across your knees. And I’m so glad to have them finished!

Chenille and fabric knee rugs finally done

patchwork, Sue Ross Block of the Month

Sue Ross BOM quilt top finally finished!

Some of you have been reading my blog for a really long time (I started it when I was pregnant with Stella – actually, my 13 year bloggiversary was in February).  You might remember that in the early days I did quite a bit of patchwork and quilting; that’s actually how I got into blogging in the first place.  I discovered Heather Bailey’s blog, asked a friend to show me how to do patchwork, then off I went!  After a couple of years I reverted mostly to garment sewing (my first love) but every now and then it’s fun to go back to cutting big bits of fabric into little pieces then sewing them back up into another big bit again.

Sue Ross BOM - cutting the setting strips

In 2009 (yes, you read that correctly) I started a Block Of the Month (BOM) project by Sue Ross, done in conjunction with Material Obsession. They sent me the pattern, templates and fabrics each month, and I constructed the block. I have to say right at the outset that this project was WAY above my skill set. Nevertheless I plugged away at it and eventually ended up with nine blocks, using a mixture of piecing and applique. I then cut out the setting strips that you see in the photo above, folded up all the pieces and set them aside some time in 2011. Last week I finally pulled them out and assembled the quilt top.

Sue Ross BOM 2009 Material Obsession quilt top

First of all I assembled the strips into log cabin blocks. Each of these blocks then needed to be cut diagonally into four triangles.

Sue Ross BOM 2009 Material Obsession quilt top

Once again, I warn the ‘real’ quilters who read my blog not to look too closely.  I tend to iron more than press; things are stretched out of shape, and points don’t all line up and match properly.  But aren’t those fabrics pretty!  Anyway, after I cut these blocks into triangles, I sewed the triangles on to each of the blocks that I had prepared earlier.  Remember, there are nine of these!  Lots of photos ahead!

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Each of those blocks is around 26 inches wide – so larger than you probably imagine when seeing them on a screen! Once they were all sewn together, I had a quilt top! Tada!

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

Sue Ross BOM 2009 Material Obsession quilt top

I am ridiculously pleased with this quilt top, despite it’s imperfections. I have noticed that there are a couple of bits of applique that still need to be secured, but I might do that when it’s quilted. I am still tossing up the next stage – it needs backing, wadding, basting, quilting and binding. I’d really like to do most of that myself, other than the basting part, but might also get it quilted. I figure that I’ll have enough fabric in stash to piece together for the backing. Stella is keen for me to get this finished; she also has visions of snuggling under it on the couch when watching telly and is especially pleased that it’s large enough for her sister as well.

Sue Ross BOM 2009 Material Obsession quilt top

While I think about what to do with this quilt top, I have a few other quilts that need to be finished off (the tops are done and they need to be turned into quilts). I’ll do the smaller ones myself, but will probably send out the larger ones. Looks like this winter will be a great time to finish off the UFOs!

other people's craft, patchwork, quilting

happy hexagons

Do you remember when I showed you my Mum’s hand-pieced hexagons in progress?  Well, now I can show you the finished quilt!

Happy Hexagons quilt

I am so incredibly impressed that Mum hand-pieced the top of this quilt. I think that the borders might have been attached by machine, but otherwise it was many an evening of needle and thread.

Happy Hexagons quilt

Mum learned to hand-piece hexagons in a class taught by Kath Gale of Patchwork Charm. The long-arm quilting was done by Sue Evans of Quirky Quilter. I think that the swirls complement the hexagons beautifully.

Happy Hexagons quilt

And here’s the back!

Happy Hexagons quilt

Mum is already working on another hand-pieced quilt, also hexagons, but entirely different to these ones. I am really enjoying watching her progress (and thinking of the beautiful family heirloom quilts that will grace my daughters’ houses one day). Size wise, the quilt that she just completed is almost the size of a queen sized bed.

Happy Hexagons quilt

I also love watching the way that Mum operates when she is making a quilt. She buys just enough fabric, never any more than needed. In fact, with this quilt she bought small pieces of fabric at a time, only buying more as she ran out and wished to vary the palette a little. There is no leftover, no waste. She gets just the right amount for each part of the process. It is entirely the opposite of the way that I currently sew.

Happy Hexagons quilt

Congratulations Mum – this quilt is absolutely wonderful, and you should be very proud of your work!  (And by the way, Mum does have a name – it’s Alison).

family, other people's craft, patchwork, quilting

Ripe and Blooming

Some months ago I read in Quilter’s Companion magazine that the Quilter’s Guild of NSW were running an Under 35s Quilt Competition.  Being more than a little over 35 myself, I mentioned it to Clare.  She was keen, and after reading the requirements and theme of “How Does Your Garden Grow” she started a concept drawing.

Ripe and Blooming - original concept drawing

Then I let her loose on my stash! Clare chose all the fabrics for her project herself, and I was impressed with her appreciation for value, shade, scale and pattern. She started by piecing the background. I gave some minor assistance with the rotary cutter and the iron (although she rapidly took over the ironing) but that was all – absolutely every other stitch and decision related to this quilt is Clare’s.

Ripe and Blooming - pieced background

Once the background was done, it was time for the applique. She started off by cutting out shapes in paper and arranging them, before moving on to cutting and fusing the shapes in fabric.

Ripe and Blooming - petals ready to be appliqued

Clare did what many of us do as they are making a quilt and allowed it to evolve and vary from her original design as she worked. There are elements that she left out, and others that she added. She drew all the shapes free hand, including the fruits. Pretty good for a nine year old! Then before we knew it the applique was done, the quilt sandwich made, and Clare quilted around the appliqued shapes close to the raw edges to give them more definition.

Ripe and Blooming - stitching on the binding

She quilted long diagonal rows through the background, like the rows that you plant in the garden. A number of binding fabrics were auditioned before she decided on a stripe.

Ripe and Blooming - stitching on the binding

A hanging sleeve was added to the back and the final touch was a label that Clare carefully wrote and hand-stitched into place. Ta-da – Clare’s first ever quilt! And just in time too!

Ripe and Blooming - done!

She named it “Ripe and Blooming”.  Clare says “I’m really proud of myself. At first I was taking it slowly then I found there was no time left! I did the last few things quickly but also being careful.”

I’m really proud of her too! Clare has been to many quilt exhibitions with me over the years, and has watched me quilting and listened to my mum and I talk quilts. It’s amazing how much information is absorbed! I did give suggestions and guidance throughout the process, but Clare was fairly definite about what suggestions she was interested in or not and mainly used her own common sense. The competition quilts will be on display this Friday, Saturday and Sunday from 10-4 at The Newington Gallery, Newington College, 221-235 Stanmore Road, Stanmore, New South Wales. If any of my blog readers are planning on going I’d love to see a photo of Clare’s quilt in situ! The winners of each section (Primary, Secondary, 18-24 and 25-34) will be announced on Saturday. Fingers crossed for Clare – but whether she wins anything or not, she’s definitely a winner with designing, planning, cutting, piecing, sewing, quilting, and binding this wonderful quilt all on her own at age nine!

other people's craft, patchwork

Mum’s hexagon progress

Remember my mother’s hand-pieced hexagons?  She’s finally decided how she’s going to join them, and has made a start.

Mum's hand-pieced hexagons - progress

I think that she’s chosen the perfect background print. She’s still hand-piecing these together. I’m not sure that I’ll ever have that patience!

Mum's hand-pieced hexagons - progress

My tiny contribution was rotary cutting the background triangles (with the help of some groovy quilting rulers that I bought from Material Obsession last year). Now I mostly just gaze at these hexagons and ooh and aah. I’m super impressed, Mum!

Mum's hand-pieced hexagons - progress

And you know what – Mum has no scraps left over from this project. She’s used everything. So completely the opposite to my stash and my scrap bin!

embroidery, family, other people's craft, patchwork

more craft by Mum – sashiko tablerunner

My mother is quite modest.  She is quick to point out any small errors in her craft projects, rather than rejoicing in their overall success.  She has high expectations of herself and high standards.  I think that this project is absolutely wonderful, and it was a technique that she hadn’t tried before – and rightly, she is rather proud of it.

Sashiko table runner by Mum

Mum spotted this sashiko tablerunner kit at the BeBe Bold stand at one of the craft fairs we attended last year.  Mum rather likes a kit – there is not waste – and it combined her liking for embroidery and for patchwork.  She’d never done sashiko before, but honestly, you wouldn’t know it.

Sashiko table runner by Mum

The design uses different coloured threads going in different directions, and is extremely effective. The patchwork surrounding it is quite subtle, and really sets off the embroidery.

Sashiko table runner by Mum

I love this table runner, and have great admiration for my mother’s skills. Mum taught me to sew and gave me free rein at her sewing machine, taught me to knit – although as you know, I prefer to crochet and leave the knitting to her – and her drawers include examples of beautifully embroidered doilies with crocheted edgings, candlewick cushions, and now patchwork. Thanks Mum for your example and your encouragement. And even for the eagle eye for the imperfections – because just like you Mum, I prefer to do things well rather than just adequately.

Sashiko table runner by Mum

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