When the Friday Pattern Company Sagebrush top was first released I thought that it was very pretty, but not something that I was ever likely to wear. Then I showed it to my daughters. It was definitely something that they were likely to wear! So Cottagecore!
From the pattern page: The Sagebrush Top is an elegant and easy-to-sew blouse that is a joy to make and wear. The Sagebrush is designed for woven fabrics and looks great in breezy fabrics like cotton voile, as well as more structured fabrics like a crisp linen. The simple design of the top lends itself well to customization. Loose without being baggy, the type of breezy fit you’ll want to wear all summer. Generous puff sleeves and gathers across the front make it comfortable to move in. The tie at the back neckline makes it simple and cute! The Sagebrush looks great tucked into something high waisted. This top was drafted using sample measurements for a B cup and a height of 5’6”.
- Includes sizes XS – 7X
- Beginner level sewing
- PDF pattern includes: instructions, A0 copy shop file, and print at home pattern (A4 and letter)
- Designed for woven fabrics
Eventually I bought it, printed and taped it (am very grateful that we have a home A4 printer during lockdown) and cut out the smallest size, the XS. I knew that this would still be roomy through the body on both my girls, but figured that the shoulder/yoke fit should be okay. And it was! First up, for Clare.
This was sewn in a printed cotton that I think was originally from Spotlight (it came to me via a generous friend). The crispness of the cotton makes the gathering and puffs really full. So pretty! The pattern was well drafted and came together beautifully. The instructions were all quite comprehensive. I hesitate a little when commenting on instructions because I strongly suspect that I read ‘over’ them rather than really take in the detail – unless it’s for a tricky section. I always look for the seam allowance and in this case the seam allowance is 5/8″ (pattern designers, you can never write the seam allowance in enough places for my liking – write it on the pattern pieces, write it at the beginning of the instructions, write it in every conceievable place that I might want to check what the seam allowance is). I learned to sew back in the late 70s by watching Mum and by using the instructions in envelope patterns, so this is the seam allowance that is burned into my brain. It made things very straightforward for me.
I may have deviated from the instructions in the way that I applied the neckline binding. I sewed it to the wrong side, then turned it over and topstitched on the right side to secure it. Well, one Sagebrush top wasn’t enough – I needed to sew another one for Stella.
This one is sewn in a lighter weight cotton, a lawn that was also originally from Spotlight (and yes, also came to me via the same generous friend). It’s absolutely perfect for this top, and for Stella! I really love it! Now we need the weather to warm up enough to see whether she will actually wear it (you never know, but it did get very positive feedback when I made it).
Now I felt the urge to sew more! And tweak it a bit! There are a large number of Sagebrush tops tagged on Instagram – take a look there for inspiration. I’ve seen it at dress length, with full length sleeves, and a couple where the elbow length sleeve has been modified to give a bit of a ruffle below the elastic rather than have the sleeve end at the elastic casing. I took inspiration from this, plus the border embroidery of the fabric, to sew this next Sagebrush top for Stella. The fabric was left over from a sweet Oliver + S Croquet Dress that I sewed for Stella when she was about six. It was one of my favourite dresses I’d ever sewn for her – and she hardly wore it. The fabric came from Darn Cheap Fabrics, and is a very lightweight cotton chambray with broderie anglaise style embroidery. There was very little of the border embroidery left in my scraps; just enough for the sleeves and a touch on the back yoke. I found a strip of vintage broderie anglaise lace in stash to use for the little gathered frill below the front yoke.
Because I wanted to highlight the border embroidery, I made a strip of bias that I sewed to the inside of the sleeve to make a casing for the elastic, sewn just above the scalloped area of the lace. This gave a little shaped frill on the bottom of the sleeve.
In the untucked photos you can see how deep the hem is. I really like deep hems; they give what I consider to be a more professional finish to many garments. I was just admiring the same thing on a Calyx top that I was ironing yesterday! When I first started to sew, deep hems were in most patterns – and hems were always hand-sewn. Over the years we have seen ready-to-wear hems become narrower and narrower, and not just because of the fabric choice (of course, a very narrow hem is appropriate for some fabrics). They also mostly have machine-stitched hems, and once we became used to seeing that in bought clothing, many of us switched to doing it on our home sewing too. I suspect that we were trying to emulate ‘shop bought’, thinking that was somehow superior. ‘Oh, it looks just like it came from a shop’ was a huge compliement. I no longer think or feel that way and am happy to use whatever techniques I like when sewing for myself and my family – having a garment easily identified as home made is something that I now view as a compliment! That said, I still sew most hems by machine nowadays, with blind hems and hand-sewn hems being a relatively rare occurrence.
Three Sagebrush tops wasn’t enough, I was on a roll, so here’s the fourth one, for Clare! You can see that I’ve done a deep hem on the sleeve, and sewn the elastic casing in such a way that it leaves a frill below it. I also spiffed things up a little by overlaying some fine lace on the yoke frill. The fabric is Anna Maria Horner voile. I’ve worked with this fabric before, and it’s always delightful. It feels silky smooth and is light and soft. It’s equally enjoyable to wear.
You would think that four Sagebrush tops in one weekend was enough, wouldn’t you! But I had it in me to sew just one more. Two each was plenty for Clare and Stella. I thought hard about whether I would wear it in a less sweet print. Then – epiphany! Sew one for my cousin Freya!
This one is essentially the same as the first one that I sewed for Clare, except it is in the pink colourway of the printed cotton. I sewed according to Freya’s measurements, made a mask to match, then popped it in the mail. And that was it – Sagebrush top binge over!