Month: August 2014

adult's clothing, sewing

cocoon cardigan

There are so many talented people sharing information free on the internet.  One of those talented and generous people is Kelli from True Bias.  When I read her tutorial for a Cocoon Cardigan I quickly filed it away for future reference and just the right piece of fabric.  When I came across some soft merino jersey in Rathdowne Fabrics a little while ago I knew that it was time to get the tutorial out.

True Bias Cocoon Cardigan

This was a very straightforward garment to make, and it’s one size fits most. I am quite short, and if I make it again I’ll remove some of the depth so that it isn’t quite so long. However, I was looking for a comfortable, cozy, slouchy garment, and this is what I got!

True Bias Cocoon Cardigan

There are gathers at the upper back to the neckline for some shaping around the body, and this is a very straightforward sew. Kelli’s instructions are terrific, and in this jersey the cardigan folds and falls in a very soft and warm way.

True Bias Cocoon Cardigan

I used vliesofix tape to stabilise hem edges before twin stitching them in place. Interestingly, I recently acquired a vintage pattern that includes a very similar cardigan, although for a woven! Everything old is new again.

vintage Vogue 8458

If you’re looking for a quick sewing fix that doesn’t really require fitting, or to make a gift for someone else, this is a wonderful tutorial to use.  I have worn mine surprisingly often this winter!

True Bias Cocoon Cardigan

children's clothing, kids clothing, sewing

pyjamas for Clare

Clare has been asking for new winter pyjamas for ages.  I finally sewed up a couple of pairs just before we left for Thailand – and she definitely didn’t need winter pyjamas there!

pyjamas for Clare - Oliver + S Hopscotch top and Ottobre pants

I used the same patterns that I usually use for pyjamas – the Oliver + S Hopscotch for the top, and Ottobre 06/2009, no.35 for the pants. When Oliver + S digital patterns were last on sale I bought a digital copy of the Hopscotch pattern, as I keep on using it and it’s easier to reprint it each time I need to go up a size. I used size 10 for the top, and traced the Ottobre pants in their second largest size. As it turns out the pants are a little big, and Clare has to fold over the waistband to keep the crotch from hanging halfway to her knees. However she still finds them comfortable.

pyjamas for Clare - Oliver + S Hopscotch top and Ottobre pants

The floral is a cotton/lycra knit from Spotlight – I bought quite a bit at the time and you’ve seen it on the blog before but finally there is none left – and the stripe is a lovely cotton/lycra knit that was given to me and is now also all used up! I made two pair of pants and two tops, each trimmed with the other fabric. Clare can mix and match them however she likes.  Floral top with striped pants, striped top with floral pants, floral top with floral pants, striped top with striped pants.  As the mood strikes!

pyjamas for Clare - Oliver + S Hopscotch top

I’ve raved about the Hopscotch pattern before. It comes together so easily and so nicely! The v-neckline trim and front gathers are very pretty. I used a zig-zag to secure hems and for topstitching.

pyjamas for Clare - Oliver + S Hopscotch top

Not much more to report about these really – Clare should be right for winter for a couple of years now, and the last pairs have been handed down to Stella. It’s two years since I made these spotty ones!

pyjama top - Oliver + s hopscotch knit top; pyjama pants - Ottobre 6/2009 patt.35

Wow, haven’t they grown!

pyjamas for Clare - Oliver + S Hopscotch top and Ottobre pants

adult's clothing, sewing

raglan Knitwit top

Raglan sleeves are so easy to sew.  Those simple diagonal seams (well, simple as long as your fabric is stable or you have stabilised the bias cut) are so straightforward to join; no sewing in the round or easing sleeve caps!  They lend themselves to casual styles, in my view.  I avoided raglan sleeves for a while because I didn’t think that they did my narrow shoulders any favours.  They probably still don’t, but that hasn’t stopped me from being drawn to raglan sleeved patterns recently.  I pulled an old Knitwit pattern out of stash to have a bit of a play.

Knitwit basic tee pattern (c) 1988

Yes, that IS an ’80s pattern. Copyrighted 1988, in fact. I did a Knitwit course back in 1990, and it was very useful in getting me comfortable with sewing knits.  You really don’t have to have an overlocker to sew knits – it was possibly another fifteen years before I bought an overlocker.  This course was a great introduction – it’s sad that the courses are no longer available.

I decided to give the raglan sleeved top a try, combining some fabrics that I had in stash. I cut size 14 (since that was already traced!) and whizzed it through the overlocker.

Knitwit raglan tee pattern (c) 1988

Yes, that is oversized, and yes, those are very low armholes! It’s pretty much a batwing look, and pretty much expected of a pattern from its era. The print fabric is a viscose jersey remnant bought from The Fabric Store a year or two ago, combined with a solid knit from Darn Cheap Fabrics for the sleeves.

Knitwit raglan tee pattern (c) 1988

The sleeves needed to be shortened about an inch. I added a simple neckband from the scraps of the jersey print, and twin-needled it to secure it.

Knitwit raglan tee pattern (c) 1988

This was very quick and easy to make, and I quite like the finished garment as a casual layering piece, but won’t use this pattern again in this form.   However, I’ll definitely be giving raglan sleeves another try.

I actually wore this top over a long-sleeved tee, with a scarf and jacket over the top, and was happy with the finished outfit – not that you can see much of the top in the photo below!  I am trying to remember to share how I actually wore my finished garments, as it gives a better idea of how things fit into my wardrobe and overall style.

Knitwit raglan tee pattern (c) 1988

adult's clothing, sewing

Elle and Barb and Linda

Wow, that was some URTI!  I am still coughing and sneezing, but am definitely much improved thank goodness.  A few weeks ago I sewed up three pairs of StyleArc pants, and thought that you might like to see the similarities and differences.  Anne of Clothing Engineer has an excellent blog post about sewing StyleArc stretch woven pants here that is well worth reading.

These are all patterns that I have sewn up before.  All three are very simple pull-on styles with elasticised waistbands, designed for stretch wovens like stretch bengaline. They are all size 10, shortened both above and below the knee to accommodate my lack of height. I measure more like a size 14 or 16 around the waist, but the size 10 works better for my hips and because they are designed for stretch fabrics and have an elasticised waist they still fit me around the middle. I cut the waist elastic to the same size as the waistband (both smaller than my actual waist measurement) and that appears to work for me.

Firstly, the Elle pant. I made this in grass green ponte from Darn Cheap Fabrics.

StyleARC Elle pants in ponte

StyleARC Elle pants in ponte

Whoa, all those wrinkles along the back thigh! These are great from the front, but aren’t quite right at the back there. The ponte has the least stretch of all the fabrics I have made these in, which makes them firmer. However, I do need to be able to move in them.

Next up, the Barb pant, which has a wider leg than the Elle and I slightly higher rise. I made these in stretch bengaline from Style Arc.

StyleARC Barb pants in stretch bengaline

StyleARC Barb pants in stretch bengaline

It’s interesting to see the differences that varying the fabric type and leg width can make. Lastly, the Linda pant, which is a wider leg once again. These are made in a stretch woven from Darn Cheap Fabrics that is thicker and heftier than stretch bengaline, but stretches almost as much (which is quite a lot).

StyleARC Linda pants in heavy poly/lycra knit

StyleARC Linda pants in heavy poly/lycra knit

This is wonderful fabric to wear. It stretches in both directions and feels really comfortable, yet supportive around my middle. The paprika stretch bengaline is much lighter weight, and makes a bit of a noise as the legs pass one another. Both the Barb and Linda patterns are more for work, whereas the Elle are for casual. Well, that’s how they are for me anyway! Fabric choice really makes a difference to fit. I have made all three of these patterns in different fabrics now, and notice how some are far more flattering and comfortable and just fit better than others. And they are all the same size. I don’t suppose that others would notice, but for me it’s an interesting observation. And because I prefer photos of whole people rather than just bits of them, here are all three pairs of pants with the rest of me as well.  The top is the Maria Denmark Olivia Oversize Tee (blogged here).

StyleARC Elle pants in ponte

StyleARC Barb pants in stretch bengaline

StyleARC Linda pants in heavy poly/lycra knit

Oh look, same pose!  I am so predictable.  Looking at these photos again I realise how much weight I have gained – I possibly should have gone up a size.  Ah well, the benefits of hindsight!  It just makes that bit of difference to how well things hang.  Those of you who have been reading my blog for a while will be aware that my weight fluctuates quite a bit, which can be challenging in terms of what size to sew at any given time.  If my weight stabilises at its current level I will possibly grade these three patterns up a bit.  They’re such staples in my wardrobe!

 

children's clothing, kids clothing, sewing

more swooning

Well, it seems that Stella passed her URTI on to me.  But there is an upside – although we cancelled most social engagements over the weekend, and while I did feel rotten and still do – I didn’t feel so rotten that I couldn’t sew.  So while the kids rested up and watched tv and played with the dog and enjoyed the knitting nancy, I put the pedal to the floor and got quite a bit of sewing done.

Swoon scarf neck cardi in ponte from Clear It

This is the Swoon Scarf Neck Cardi, a free pattern for girls (and there is a women’s version). You’ve seen it before, on Clare. And you’ll see it again! I printed off a second copy (one of the advantages of pdf patterns) and quickly taped and cut the size 5/6 for Stella. Stella is 7 years old, but quite small.

Swoon scarf neck cardi in ponte from Clear It

The fabric is a super spongy ponte from Clear It (most likely from the Alannah Hill range). I’d already made myself a cardigan from it (as yet unblogged) and already knew that it would handle best with the overlocker for construction and a simple zig-zag stitch to secure the hems. So that is what I did. The edges were only turned once to the inside as the fabric is quite substantial but doesn’t fray, then zig-zagged along the edge.

Swoon scarf neck cardi in ponte from Clear It

On my monitor the fabric looks incredibly bright, and a fuchsia shade. In real life it is still bright, but more towards a candy shade of pink than a fuchsia. It is quite substantial, and clearly contains a fairly high percentage of lycra. Just perfect for a child’s cardigan. Stella styled it with a dress that I originally made for Clare, and a coordinating orange hair clip. I think she’s done a great job of her outfit!

Swoon scarf neck cardi in ponte from Clear It

I like the pointed hemline and the curved princess seams at the side fronts. Although very fast to make, it’s a fashionable style and has just enough detail to look quite “now”. Maybe I’d better tape up the women’s version of the pattern too.

Swoon scarf neck cardi in ponte from Clear It

And last but definitely not least, thank you all SO much for your lovely comments on the girls’ Eowyn and Ellie costumes.  I really enjoyed making them, and am pleased that you all seemed to enjoy seeing them as well!  And now time for more painkillers and a little more sewing…..

 

children's clothing, kids clothing, sewing

Ellie

Stella has been sick with a head cold since Thursday (we got the phone call to come and collect her from school after she fell asleep in the classroom….) and we really didn’t think that she would make it to the book week parade this year.  In the end she perked up just enough to go in to school for an hour and join her friends to show off her costume, talk about the book it was from, and share some alliterative poems that she had written.  The kids were all SO excited; it was lovely to share in the fun with them.

Stella as Ellie - book week 2014

Stella has enjoyed The Water Babies by Charles Kingsley for a little while now. Our version is a 1986 hardback with beautiful illustrations by Anne Grahame Johnstone. (You might also remember the 1978 film of the book that mixed live action and animation – you can find it here on YouTube if you are interested).  The little girl in the white dress – Ellie – was the character that Stella wanted to be. Originally I hoped that we’d be able to cobble together a costume from existing clothing, and that in combination with the mob cap she would look the part. But then I got mother guilt over all the time that I’d spent on Clare’s costume, so on Thursday morning I decided to make a new dress for Stella too. She was VERY pleased that I did, so I got some mummy points there.

Stella as Ellie - book week 2014

On to the pattern details! I used two vintage patterns that were in my stash, Simplicity 8576 and Style 4247. The dress is mostly the Style pattern (the version illustrated in green), but the sleeves are from the Simplicity pattern. I also made the matching pantaloons from the Style pattern, but Stella refused to wear them as they were “wide” and chose to wear leggings instead. Righto. I used size 6 for both the dress and the sleeves.  It’s roomy, but not ridiculously so, and Stella is rather skinny.

Ellie from The Water Babies costume - sleeves from vintage Simplicity 8576 and rest of dress from vintage Style 4247

And the fabric? Would you believe that I didn’t have any crisp white cotton in stash? So I used an old sheet. And the more eagle eyed of you will have already noticed that it is not a consistent shade of white around the dress. Should have bleached it first. That is what you get for using an old sheet. The parts of the dress cut from the edges of the sheet (utilising the selvedges so I wouldn’t have to finish the edges) are a lovely crisp white. The parts cut from the centre? Not so much. Is that too much information for you?

Stella as Ellie - book week 2014

I cut the skirt in one piece utilising the sheet hem as the hem, and added the tucks and the lace as per the pattern. Cotton is so easy to work with, and having the skirt already hemmed saved a bit of time. The laces were all in my stash, and were mostly vintage as well.

Stella as Ellie - book week 2014

I did take some short cuts. This dress is meant to be fully lined; I left out the lining entirely. Seam allowances were either not finished at all (if cut from the edge of the sheet) or they were pinked or overlocked. And the bias neck band had one edge overlocked so that after it was attached I could just turn it to the inside them top-stitch it in place knowing that there would be plenty of fabric to be caught in the stitching. This is something that I would usually turn under and hand-stitch on the wrong side of the dress. By hey, this is a costume – and one with a deadline!

Stella as Ellie - book week 2014

I used an invisible zipper in the centre back seam to close the dress – and hey, check out how well I matched the waist seam across the zipper! I shall blow my own trumpet on that one! But don’t notice that it needs a hook and eye at the top of the neckline. I didn’t add one. Lazy.

Stella as Ellie - book week 2014

The sleeves frankenpatterned in very easily. The notches matched perfectly, and then I just gathered the sleeve cap in to fit. I took another short cut with the sleeves though. The puffed upper sleeve is meant to be sewn to a stay, to maximise the amount of puff. I left the stay out, and simply gathered the upper sleeve to the lower sleeve and to the armhole. The upper puffed part of the sleeve is cut on the bias, so using the stay would be a great idea for extra puff and I’ll remember it if I use this pattern again. There is also an elbow dart in the lower sleeve to make it conform more nicely to the body. I have to say that I love vintage patterns for those sorts of details. They’re not hard to do and make things fit so much better. The main dress also includes darts at the back shoulder, with the same pleasing result for better fit.

Stella as Ellie - book week 2014

The mob cap was made from a small remnant of embroidered cotton that I had in stash, with pre-gathered broderie anglaise sewn to the edges and pink ribbon for trim. It is double layered with elastic threaded through a casing. I used this tutorial which removed the need for me to think.  Sometimes I like not to have to think (maybe because I am coming down with a cold as well).

Stella as Ellie - book week 2014

Cost wise, this dress was essentially “free” as everything came from stash (or the linen cupboard). Time wise, it possibly took around six hours to make, including the cap and pantaloons. I do wish that I’d realised that the sheet wasn’t a consistent colour before I started sewing, but will give the dress a good soak in some bleach and see what difference that makes. Some of the other school mums thought it would be ideal as a first communion/confirmation dress – but as we aren’t Catholic, that isn’t likely to happen!

Stella as Ellie - book week 2014

I’m glad that Stella got to join her classmates for the fun of the book week parade, but as you can see it wasn’t long after we got home that I found her on the couch like this. Poor little mite.

2014-08-22 17.07.20-1

children's clothing, kids clothing, sewing

Eowyn

“I am no man”.

Clare as Eowyn book week 2014

You know, I used to be a major Scrooge about things like dress ups and costumes. But things have changed, and in recent years I have actually enjoyed making my daughters their book week character costumes. And I have to say, I think that this year is my absolute FAVOURITE.

Clare as Eowyn from Lord Of The Rings

Clare chose Eowyn as her character months and months ago. Let us confess right up front here that Clare hasn’t actually READ the Lord of the Rings trilogy – but she has read The Hobbit, and there weren’t any female characters in it that she was interested in going as (I did suggest that she didn’t have to go as a female character, but she would have none of that). So Eowyn it was. Clare googled images from the movies, and had a clear picture in her mind about what her costume should be like. She wanted it based on the green dress that Eowyn wore in The Two Towers. Enter Burda 2463 for the dress and vintage Style 1034 for the collared undershirt.

Eowyn costume - vintage Style 1034 heavily modified for undershirt and Burda 2463 for dress

All the fabrics and trims came from Darn Cheap Fabrics, with the fabrics from the $2 per metre table or the remnants bin. The dark green woven appears to be a cotton blend and was very easy to sew, gather and press. The lace overlay is a stretch lace. Originally I was looking for a jacquard, but after cost comparisons decided that the lace worked well over the green anyway. The undershirt is a black chiffon base with gold printed all over it.

Clare as Eowyn book week 2014

We mixed up the pattern views a bit, using the double layered skirt from one view with the longer sleeves and plain upper sleeve puff from the other. The lower sleeve was lined with the stretch lace, and the underskirt has a stretch lace overlay. This gave a similar look to the film photos, remembering that we were inspired by the film for the costume but weren’t trying to reproduce it completely faithfully. Lace trim was zig-zagged to the neckline after the bodice was constructed – it is fully lined – but before I inserted the lapped zipper up the back. There was only just enough of the trim to get around both the neckline and the waistline. It was meant to be!

Clare as Eowyn book week 2014

Halfway through constructing the dress I realised that I had only cut out one lower sleeve, and was out of the green fabric. So while I was at work, I sent my husband back to Darn Cheap on a mission to buy one more metre. Luckily they still had it in stock! He also went on a sword hunting mission, locating this rather appropriate piece of plastic at a $2 shop.

Clare as Eowyn book week 2014

The overskirt at the front was lifted at two points and secured under the lace trim with a zig-zag. Fortunately this also provided a handy place to store her sword. Who’d have thought!

Clare as Eowyn book week 2014

The undershirt is a modified version of the vintage Style pattern. I cut it off at hip length, left off the sleeves, sewed up the centre front to the bottom of the collar rather than using a zip, and kept the collar edges with one point instead of being notched. Clare could just slip it on over her head, then use a safety pin to adjust where the collar meets in the centre front once the dress was over the top.

Clare as Eowyn book week 2014

Clare centre parted her hair damp last night, and slept with clips keeping each side in place. We spent half an hour or so with the curling iron in the morning, and before long she was looking a lot like the Eowyn we know from the films (if anyone knows Miranda Otto and wants to send her a link to this blog post, please do!). She still had some henna painting on her hand from an Indian themed night at Guides a couple of days earlier, and thought that it added nicely to the overall look.

Clare as Eowyn book week 2014

Overall, this costume probably cost us less than $30 in materials, including the pattern, zips and other notions. The dress used loads of fabric, but that’s not a problem when it comes from the $2 per metre table! But in terms of the hours spent making it? Possibly about 8 hours in total, I suspect. It could have been a little less. I didn’t really keep track.  In terms of sizing, the undershirt was size 8 and rather roomy, and the dress was in size 9 which matched up with Clare’s measurements.  It is a great fit.

Clare as Eowyn book week 2014

I love that Clare chose such a gutsy character to dress as for book week, and that the entire family enjoyed the dressing up process so much. She’s really finishing off primary school with a bang!

Clare as Eowyn book week 2014

adult's clothing, sewing

yet another StyleARC Laura dress

It seems that the StyleARC Laura dress may become my go-to pattern when I have small amounts of fabric that need to be used.  I still haven’t got the fit quite perfect, but it’s getting better every time.

StyleARC Laura dress

This recent incarnation is a combination of black/white knit jacquard from the Darn Cheap Fabrics remnant bin, combined with Rathdowne Fabrics orange merino jersey scraps.  And yes, that dress is SHORT!  The length was entirely determined by the size of the remnant.  And as you can see, there wasn’t much of it!

StyleARC Laura dress

There is not a great deal more to report about this pattern.  It is very straightforward but always has pleasing results.  This is size 12, but with the back pieces enlarged considerably by cutting the back piece down the centre and spreading it as much as possible.  This keeps the dress fitting snugly around the shoulders and upper chest while allowance enough room to fit around my girth.  It could still do with a short back adjustment – I forget to do this every time!

StyleARC Laura dress

I did seek some instagram input on the type of neckband to use.  There was the option of plain orange, the black/white print, or the two together.  As you can see I eventually decided to keep things simple.

StyleARC Laura dress

When I asked Clare if this dress was too short, she said that it was fine as long as I wore stockings with it.  So I am following her advice!  I certainly wouldn’t be comfortable in anything any shorter.  It is surprisingly warm to wear due to the merino yoke and sleeves.  This pattern will definitely get another outing.

StyleARC Laura dress

My previous Laura dresses can be found here.

 

children's clothing, family, kids clothing

book week

Eowyn costume in progress

It’s book week in Australia, and all over instagram there are photos of frantic costume making. I am no exception. The parade is on Friday, so this week I am working on Clare’s Eowyn costume. Just a zip, hems, an undershirt, and another lower sleeve to go. Somehow I only cut one lower sleeve, and I’m out of fabric. Stay at home dad has a trip to Darn Cheap ahead of him today….

adult's clothing, sewing

winterised Colette Myrtle

I have a confession.  I am not a huge fan of Colette’s women’s patterns.  Not because I don’t think that the styles are gorgeous and the instructions are excellent – because they are both of those things – but because they generally just aren’t MY style.  But it seems that I have to make a massive exception for the patterns designed for knits.  I have made a number of Mabel skirts now, really like my Moneta dress, and now I have to add the Myrtle dress to the list of Colette patterns that I really, really like!

Colette Myrtle dress

As with both the Mabel and Moneta, I wasn’t all that excited by the Myrtle when I first spotted the pattern, but it grew on me. A sleeper pattern, maybe! And there wasn’t much to be lost by giving it a try with some boldly printed knit from the Darn Cheap Fabrics $2 table. So I gave it a go. I decided to cut size Large, based on my measurements and on prior experience with Colette patterns. I didn’t make any alterations. This style is designed with positive ease, mainly being brought closer to the body by the elastic around the waistline.

Colette Myrtle dress

Hang on a minute, I did make one alteration – when I cut the back bodice piece I moved it in about 3/4″ at the upper edge, effectively removing an inch and a half from the centre of the back neckline. This was a good move – it sits nicely against my body around the back. I left out the inseam pockets too – I don’t tend to use them in knit dresses, as I find that they just weigh things down. This left just four pattern pieces – front skirt, back skirt (which is meant to be cut as two pieces with a centre back seam, but I forgot to do that and cut it on the fold instead), back bodice and self-lined front bodice.

Colette Myrtle dress

The bodice is very nicely constructed. The back bodice neckline and armholes are turned to the inside and finished with the twin needle, then the shoulder seams and side seams are sewn with the back sandwiched between the front and front self-lining. Then you stitch the front armholes together, turn it all the right way out and voila! The front neckline drapes beautifully with no chance ever to flip out, the armholes are smoothly finished, and you have an extra layer smoothing over any lumps and bumps at the front. And all the bodice seams are completely enclosed inside between the front and front lining. Fantastic! The casing around the waistline for the elastic is also nicely done, with the elastic being fully enclosed. I could have made the elastic a little tighter, and might go back and adjust it. But I might not.

Colette Myrtle dress

This is the longer version of the dress, and the waistline is lower on me than on the model and the pattern illustration. This is possibly a combination of me being short-waisted and the elastic being a little on the loose side, so be aware of that if you want to make this dress. I quite like it in this location, but may petite the bodice a little the next time that I make it. Now, as you know it is winter here, and this is actually a sleeveless summer dress. But with the addition of stockings, boots and a long-sleeved tee underneath, it winterises very well! I actually wore it with another layer over the top. I’m rather impressed at how well this bold, extremely large-scale print fits in with the rest of my wardrobe (and yes, I have more….)

Colette Myrtle dress

Next time that I make this  I might give the size Medium a try.  However, that would require reprinting and retaping the pattern.  Actually, my biggest gripe with the Colette pdf patterns that I have made has been that the pattern pieces could be SO much better arranged for printing.  The page margins are huge, so they take massive numbers of pages, and the larger sizes are grouped alongside the smaller ones on what ends up to be a massive pattern sheet.  It’s hard to work out which pages you do need to print for your size and which you don’t.  I think that I had to discard about half the pages I’d printed!  Pdf patterns don’t just have to be a tiled version of one huge pattern sheet – there are a number of pattern designers who have realised this and arrange pattern pieces so that they fit efficiently on to a smaller number of pages, where you only need to print the pages of the pattern pieces that you need for the size and variation that you want to make.  In my opinion, Colette patterns needs to improve in this area (but they’re not the only ones)!  Okay, rant over.

 

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